![]() To verify which profiles have stored values, open show setup and inspect the profiles for a channel. When a channel is using a non-default profile its scribble strip is inverted and its label is changed to the profile name. Once a value change is made to a profile, the full state for the respective processing type is automatically captured and stored in the profile, and recalled in subsequent cues.Īll changes to a channel's stored processing types will be automatically captured and updated in the active profile, even when editing is locked. When a cue is fired that uses a different channel profile, if no value change was previously recorded TheatreMix will just recall the values from the default profile. Initially all profiles for a channel inherit processing values from the channel's default profile. Default options can be set for handling DCA labels and channel profiles, and if an incorrect operation is performed it can be undone using ⌘/Ctrl + Z. When the process is complete, the source channel will no longer be assigned to any cues in the show. The nominated destination channel can be changed for each cue to divide the source channel's role amongst multiple actors (i.e. Keep the destination channel's DCA assignment (and delete the source channel's DCA assignment), or.Move the destination channel to the source channel's DCA, or.One of the following operations can be performed on each cue: From channel utilisation view, the move assignments button lets you select the channels to modify and then step through each cue where the channels have been used. TheatreMix can selectively move DCA assignments from a source channel (principal) to destination channels (understudies): it's a bit like running Find/Replace for DCA assignments across a whole show. Situations like these require a large amount of programming substitutions to be made quickly and reliably – ideally without changing existing DCA numbers in the marked up script. Or perhaps the production budget gets cut after the show has been programmed, so you need to reduce the number of microphones whilst ensuring all solo lines are covered. Sometimes an actor playing multiple characters is unable to perform for a show, so their role ends up being divided amongst many actors who play other characters. Compared to the standard palette, cyan (position change) and orange (FX change) are displayed as green, yellow (profile change) is displayed as magenta, and magenta (ensemble move) is displayed as cyan. Grey = no channels are assigned to this DCA, it's a placeholder for future assignmentsĪn alternate colour palette can be selected in Preferences/Options to assist colour blind users.Inverted = multiple channels are assigned to this DCA helps to differentiate between individual and ensemble DCAs.it's safe to press go when all magenta DCAs are at the same level.Magenta = channels are moved in and out of ensemble DCAs in the next cue.Yellow = channel assignment is maintained but a channel in this DCA changes profile in the next cue.note: this is displayed as green on most consoles.it's best to press go when the actor is not speaking.Orange = channel assignment is maintained but a channel in this DCA changes FX in the next cue.press go when the actor is not speaking. ![]() Cyan = channel assignment is maintained but a channel in this DCA changes position in the next cue.it's safe to press go when the DCA fader is up.Green = the exact same channels (and positions and profiles) are assigned to this DCA in the next cue.it's best to press go when the DCA fader is down.White = the DCA assignment changes in the next cue.TheatreMix automatically colour codes DCA labels so you know what is coming up in the next cue. ![]()
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